Every good revolution has got an anthem–that potent combination of melody and lyrics that speaks to the heart and awakens the senses. It makes the impossible seem real and the fantastic mundane.
As I’m sure everyone in the televisable world has discovered at this point, Michael Jackson has left the music scene forever. He leaves in his wake a life history fraught with mystery, controversy, and musical genius. In reviewing his prolific discography, we see the themes of love, frivolous allegations of paternity, and elementary education highlighting this lauded repertoire. However, we also know M.J.’s music as transcendent and I would argue imminently revolutionary.
Take for example his universally known and vehemently praised “We Are the World.” Leaving aside the power of his lyrics for a brief moment, let’s remember that he managed to bridge gaps of race, gender, and divergent musical styles–all barriers that at times appear to be impassable in this cynical age–to produce a song that brought together the voices and efforts of artists ranging from Willie Nelson to Tina Turner. History.
The message he gave us was one of love, unity, and connectedness. At first glance one might think he was simply touting the virtues of global citizenship, inviting us to acknowledge our shared socio-political stake in the world. However, this song was really about a historical moment that begged us to not only think of ourselves as united in purpose and life but to act as such. In fact, I would go so far as to say that if we really heeded Comrade Jackson’s call, if we actually lived as if we were all part of a great big family, then we would altogether abandon the social, political, and economic systems that presently define human interactions, domestic and global. Plus, it’s got a helluva tune, right?
